Identity and Destiny: Ideas And Ideology In Interwar Romania
29/2007
COVER
Ion Theodorescu-Sion (1882-1939), Peasants from the Carpathians, National Museum of Art, Bucharest



With its ideological, political and industrial aspects, World War I had thrown a shadow of distrust over the groundwork of western democracy, on its humanitarian stance, but also on the scientific ideal of the positive modern science, the constant progress to the benefit of humanity. The result, for many intellectuals in the interwar period, was an unabashed skepticism and an inclination to forget liberal and democratic individualism in favor of various formulae of collectivism.

Erwin KESSLER


We have experienced situations which led us to reason, to art and mysticism. (…) Being painfully and precociously hit by life, we have become accustomed with realities unknown to others (...) We have understood that suffering in life is motivated… We want the values that are not derived from political economy, nor from technology or from parliamentarism to be victorious. Pure, spiritual – absurdly spiritual – values, the values of Christianity.”

 

Mircea ELIADE, 1927

 

We don’t need prophets (…) ideologues with funny and interesting parti pris. If this is the ‘culture’ of the soul, we prefer the more modest civilization of the matter. What our people lacks is liberty, roads, justice and clean streets. We need a few men of character and a few thousand systematic water closets…

 

Mihai RALEA, 1928




PLURAL would like to thank the following for the permission to reproduce the works in the gallery:


The National Museum of Art, Bucharest

National Brukenthal Museum, Sibiu

The Museum of Art, Tulcea

The Museum of Art, Constanţa


Special thanks to Professor Keith Hitchins, whose initial idea set this project in motion.


SPELLING
In some cases, the diacritical marks (pronounced: ă ≈ er, â and î ≈ uh, ş = sh, ţ = ts) were dropped from Romanian original titles, newspaper and magazine names, movement and trend names, and person names; geographical names may appear either in Romanian (Bucureşti, Iaşi) or in English (Bucharest, Jassy).
Omitted passages are usually indicated by (…).

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